\chapter*{Foreword} \addcontentsline{toc}{chapter}{Foreword} \noindent I didn't set out to write a hundred and one prayers. I set out to write the ones I needed and couldn't find --- short enough to pray before the day got away, plain enough to skip churchy language. \medskip \noindent It didn't take long to notice a pattern: every prayer rhymed with something a psalmist had already said three thousand years ago. Weariness, wonder, gratitude, grief --- none of it is new. \medskip \noindent This book borrows their voice. Each prayer opens with a verse from the Psalms and stays close to it, but with present-day concerns --- a hospital wristband, plastic bins after a storm. A prayer too general, ``Lord, help me in my trouble,'' rarely moves anyone; it asks for nothing you can wrap your hands around. But one too specific runs a different risk: what if your trouble doesn't look like mine? \medskip \noindent So hold these loosely. Think of them less as a script and more as an aperture --- a way of opening your imagination onto something you already recognize. Let your words take over where mine leave off. \medskip \noindent Scripture quotations are drawn from the \textit{World English Bible}, a public domain translation, with one adjustment: I've used the traditional ``the LORD'' in place of the divine name ``Yahweh,'' since it's what most of us are used to. \medskip \noindent Wherever you are today --- weary, waiting, grateful, undone --- my prayer is that you'll find something here that meets you where you are. \bigskip \noindent \textit{George Marin}