188 lines
35 KiB
Plaintext
188 lines
35 KiB
Plaintext
<options><option name="lp">de_en</option><option name="autodetecton">0</option><option name="detectedlanguage"></option><option name="gui">stpm</option><option name="product">stand</option><option name="use_format_language">0 </option><option name="formatting_spaces">segmenting</option><option name="text_filter_pars">auto</option><option name="dnt_font">Symbol,Wingdings,Webdings</option><option name="segmentation_characters">·,•,|</option><option name="nomatchcaps">0</option><option name="spellcheck">1</option><option name="imperative_mode">1</option><option name="gender_1s">M</option><option name="gender_2">M</option><option name="number_2">S</option><option name="polite_2">1</option><option name="gender_1p">M</option><option name="altmeaning_marker"></option><option name="loca">US</option><option name="source_html"><HTML xmlns="http://www.w3.org/TR/REC-html40" xmlns:o = "urn:schemas-microsoft-com:office:office" xmlns:w = "urn:schemas-microsoft-com:office:word"><HEAD><TITLE>A</TITLE><BASE href=file://C:\DOCUME~1\william\LOCALS~1\Temp\stp258.tmp>
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<P class=MsoNormal style="BACKGROUND: white; MARGIN: 6.5pt 0.7pt 0pt 34.3pt; TEXT-INDENT: -34.3pt; LINE-HEIGHT: 12.5pt; TEXT-ALIGN: justify; mso-line-height-rule: exactly"><SPAN style="mso-ansi-language: DE"><SPAN class=systran_seg id=seg_2>A. 131 Glasglockenklavier.</SPAN> <SPAN class=systran_seg id=seg_3>Süddeutsche, wohl <SPAN style="LETTER-SPACING: 1.15pt"><SPAN class=systran_nfw_source id=nfw_1>tirolische</SPAN></SPAN> Arbeit aus der <SPAN style="LETTER-SPACING: 1.55pt">zweiten</SPAN> Hälfte des 16.</SPAN> <SPAN class=systran_seg id=seg_4>Jahrhunderts für Erzherzog <SPAN class=systran_nfw_source id=nfw_2>Ferdinand</SPAN> von <SPAN class=systran_nfw_source id=nfw_3>Tirol</SPAN> angefertigt.</SPAN> <SPAN class=systran_seg id=seg_5>Holzkasten mit abheb&shy;barem Deckel, das Ganze mit <SPAN class=systran_nfw_source id=nfw_5>figürlichen</SPAN> Darstellungen und <SPAN class=systran_nfw_source id=nfw_6>Grottesken</SPAN> in Ölfarbe auf weißem Grund bemalt.</SPAN> <SPAN class=systran_seg id=seg_6>Vorne das Wappen Erzherzog <SPAN class=systran_nfw_source id=nfw_8>Ferdinands</SPAN> von <SPAN class=systran_nfw_source id=nfw_9>Tirol</SPAN> zwischen <SPAN class=systran_nfw_source id=nfw_10>Minerva</SPAN> und Mars.</SPAN> <SPAN class=systran_seg id=seg_7>Unter den <SPAN class=systran_nfw_source id=nfw_11>Grottesken</SPAN> finden sich neben menschlichen und Tierfiguren auch Musikinstrumente (Glocke, steglose Geige mit C-Löchern, krummer Zink, <SPAN class=systran_nfw_source id=nfw_12>Pommer</SPAN>, Schoßharfe, Laute) dargestellt.</SPAN> <SPAN class=systran_seg id=seg_8>Nach <SPAN class=systran_nfw_source id=nfw_13>Ilgs</SPAN> Vermutung (in seinem Führer durch die kunstindustrielle Sammlung 1891, 190) von dem in <SPAN class=systran_nfw_source id=nfw_16>Ambras</SPAN> vielbeschäftigten niederländischen Maler <SPAN class=systran_nfw_source id=nfw_15>Dionys</SPAN> von Hallart, der insbesondere den sogenannten »Spanischen Saal« ausgemalt hat.</SPAN> <SPAN class=systran_seg id=seg_9>Im Innern fehlen heute die Glocken;</SPAN> <SPAN class=systran_seg id=seg_10>nach dem <SPAN class=systran_nfw_source id=nfw_17>Ambraser</SPAN> Inventar von 1821 waren sie damals noch in leidlichem Zustand, nur sechs fehlten.</SPAN> <SPAN class=systran_seg id=seg_11>Auch zu v. Sackens Zeit (Katalog der <SPAN class=systran_nfw_source id=nfw_18>Ambraser</SPAN> Sammlung 1855,</SPAN></SPAN><SPAN class=systran_seg id=seg_11> II, <SPAN style="mso-ansi-language: DE">154) mögen sie noch, wenigstens teilweise, vorhanden gewesen sein.</SPAN></SPAN><SPAN style="mso-ansi-language: DE"> <SPAN class=systran_seg id=seg_12>Der Umfang wird auf drei Oktaven und eine Terz samt den halben Tönen vom <SPAN class=systran_nfw_source id=nfw_20>untern</SPAN> Baß-F bis zum einmal (?)</SPAN> <SPAN class=systran_seg id=seg_13>gestrichenen <SPAN class=systran_nfw_source id=nfw_21>a'</SPAN> angegeben.</SPAN> <SPAN class=systran_seg id=seg_14>Doch ist diese Angabe scheinbar der noch vorhandenen Tastatur entnommen, die in Wirklichkeit einen Umfang von 3'/2 Oktaven (C—a") mit »kurzer Oktave« aufgewiesen haben dürfte.</SPAN> <SPAN class=systran_seg id=seg_15>Heute ist das Innere vollkommen leer;</SPAN> <SPAN class=systran_seg id=seg_16>nur der Spielmechanismus ist noch vorhanden.</SPAN> <SPAN class=systran_seg id=seg_17>An der innern Scheide&shy;wand waren in Löchern die Glocken befestigt;</SPAN> <SPAN class=systran_seg id=seg_18>die Tasten schnellen die (noch vorhandenen) Klöppel mit Filzstreifen unmittelbar durch Docken hinauf.</SPAN></SPAN></P>
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<P class=MsoNormal style="BACKGROUND: white; MARGIN: 2.9pt 0in 0pt 45.35pt"><SPAN style="mso-ansi-language: DE"><SPAN class=systran_seg id=seg_19>Maße:</SPAN> <SPAN class=systran_seg id=seg_20>Kasten 92'5 lang, 45*5 breit, 41 bzw. 29-5 cm hoch.</SPAN> <SPAN class=systran_seg id=seg_21>Länge der Tastatur 58 cm.</SPAN></SPAN></P>
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<P class=MsoNormal style="BACKGROUND: white; MARGIN: 4.3pt 0in 0pt 34.8pt; TEXT-INDENT: 11.75pt; LINE-HEIGHT: 10.55pt; TEXT-ALIGN: justify; mso-line-height-rule: exactly"><SPAN style="mso-ansi-language: DE"><SPAN class=systran_seg id=seg_22>1821 aus <SPAN class=systran_nfw_source id=nfw_25>Ambras</SPAN> übernommen und möglicherweise identisch mit Inventar 1596,1V, 371:</SPAN> <SPAN class=systran_seg id=seg_23>ein instrument von <SPAN class=systran_nfw_source id=nfw_26>glaszwerch</SPAN> (?).</SPAN> <SPAN class=systran_seg id=seg_24>Das Stück ist eine Seltenheit;</SPAN> <SPAN class=systran_seg id=seg_25>daß aber auch das 17.</SPAN> <SPAN class=systran_seg id=seg_26>Jahrhundert dergleichen kannte, lehrt die Nr. 55 des Museums <SPAN class=systran_nfw_source id=nfw_27>Settala</SPAN> in Mailand:</SPAN> <SPAN class=systran_seg id=seg_27>ex <SPAN class=systran_nfw_source id=nfw_28>harmonicis campanulis contextum clavieymbalum</SPAN>.</SPAN> <SPAN class=systran_seg id=seg_28>Übrigens waren dergleichen »Glögglen-Werke« zu Anfang des 17.</SPAN> <SPAN class=systran_seg id=seg_29>Jahrhunderts an den deutschen Höfen (für geistliche Weisen) sehr beliebt und gingen von da auch in die Orgel über (<SPAN class=systran_nfw_source id=nfw_29>Sachs</SPAN>, Reallexikon 162).</SPAN></SPAN></P></DIV></BODY></HTML></option><option name="target_html"><HTML xmlns="http://www.w3.org/TR/REC-html40" xmlns:o = "urn:schemas-microsoft-com:office:office" xmlns:w = "urn:schemas-microsoft-com:office:word"><HEAD><TITLE>A</TITLE>
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<P class=MsoNormal style="BACKGROUND: white; MARGIN: 6.5pt 0.7pt 0pt 34.3pt; TEXT-INDENT: -34.3pt; LINE-HEIGHT: 12.5pt; TEXT-ALIGN: justify; mso-line-height-rule: exactly"><SPAN style="mso-ansi-language: DE"><SPAN class=systran_seg id=seg_2>A. 131 glass bell piano.</SPAN> <SPAN class=systran_seg id=seg_3>South German, probably <SPAN style="LETTER-SPACING: 1.15pt"><SPAN class=systran_nfw_source id=nfw_1>tirolische</SPAN></SPAN> work from the <SPAN style="LETTER-SPACING: 1.55pt">second</SPAN> half 16.</SPAN> <SPAN class=systran_seg id=seg_4>Century for ore duke <SPAN class=systran_nfw_source id=nfw_2>Ferdinand</SPAN> made of <SPAN class=systran_nfw_source id=nfw_3>Tirol</SPAN>.</SPAN> <SPAN class=systran_seg id=seg_5><SPAN class=systran_nfw_transfer id=nfw_4>Holzkasten</SPAN> with take offable cover, which paints whole ones with <SPAN class=systran_nfw_source id=nfw_5>figürlichen</SPAN> representations and <SPAN class=systran_nfw_source id=nfw_6>Grottesken</SPAN> in <SPAN class=systran_nfw_transfer id=nfw_7>Ölfarbe</SPAN> on white reason.</SPAN> <SPAN class=systran_seg id=seg_6>In front the coat of arms ore duke <SPAN class=systran_nfw_source id=nfw_8>Ferdinands</SPAN> of <SPAN class=systran_nfw_source id=nfw_9>Tirol</SPAN> between <SPAN class=systran_nfw_source id=nfw_10>Minerva</SPAN> and Mars.</SPAN> <SPAN class=systran_seg id=seg_7>Under the <SPAN class=systran_nfw_source id=nfw_11>Grottesken</SPAN> also music instruments (bell, barless violin with C-holes, bent zinc, <SPAN class=systran_nfw_source id=nfw_12>Pommer</SPAN>, lap harp, sounds) are represented beside human and animal figures.</SPAN> <SPAN class=systran_seg id=seg_8>After <SPAN class=systran_nfw_source id=nfw_13>Ilgs</SPAN> assumption (in its leader by the <SPAN class=systran_nfw_transfer id=nfw_14>art kunstindustrielle</SPAN> collection 1891, 190) of the Netherlands painter <SPAN class=systran_nfw_source id=nfw_15>Dionys</SPAN> of kind of resounding, much-busy in <SPAN class=systran_nfw_source id=nfw_16>Ambras</SPAN>, which in particular so-called “Spanish the hall “painted.</SPAN> <SPAN class=systran_seg id=seg_9>On the inside today the bells are missing;</SPAN> <SPAN class=systran_seg id=seg_10>after the <SPAN class=systran_nfw_source id=nfw_17>Ambraser</SPAN> inventory of 1821 they were still in reasonable condition, only six were missing at that time.</SPAN> <SPAN class=systran_seg id=seg_11>Also to v. of sagging time (catalog of the <SPAN class=systran_nfw_source id=nfw_18>Ambraser</SPAN> collection 1855,</SPAN></SPAN><SPAN class=systran_seg id=seg_11> II, <SPAN style="mso-ansi-language: DE">154) they may have been, at least still partial, present.</SPAN></SPAN><SPAN style="mso-ansi-language: DE"> <SPAN class=systran_seg id=seg_12>The extent becomes on three <SPAN class=systran_nfw_transfer id=nfw_19>Oktaven</SPAN> and a third including the half tones from <SPAN class=systran_nfw_source id=nfw_20>untern</SPAN> the bass f to once (?)</SPAN> <SPAN class=systran_seg id=seg_13>painted <SPAN class=systran_nfw_source id=nfw_21>a'</SPAN> indicated.</SPAN> <SPAN class=systran_seg id=seg_14>But this indication is apparently from the still existing keyboard taken, which might have exhibited an extent of 3 ' /2 <SPAN class=systran_nfw_transfer id=nfw_22>Oktaven</SPAN> (approx.”) in reality also” short <SPAN class=systran_nfw_transfer id=nfw_23>Oktave</SPAN> “.</SPAN> <SPAN class=systran_seg id=seg_15>Today the inside is perfectly empty;</SPAN> <SPAN class=systran_seg id=seg_16>only the play mechanism is still present.</SPAN> <SPAN class=systran_seg id=seg_17>At the internal septum the bells were fastened in holes;</SPAN> <SPAN class=systran_seg id=seg_18>the keys snap (still existing) the <SPAN class=systran_nfw_transfer id=nfw_24>Klöppel</SPAN> with felt strips directly by docking up.</SPAN></SPAN></P>
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<P class=MsoNormal style="BACKGROUND: white; MARGIN: 2.9pt 0in 0pt 45.35pt"><SPAN style="mso-ansi-language: DE"><SPAN class=systran_seg id=seg_19>Mass:</SPAN> <SPAN class=systran_seg id=seg_20>Box 92 ' 5 long, 45*5 broad, 41 and/or 29-5 cm highly.</SPAN> <SPAN class=systran_seg id=seg_21>Length of the keyboard 58 cm.</SPAN></SPAN></P>
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<P class=MsoNormal style="BACKGROUND: white; MARGIN: 4.3pt 0in 0pt 34.8pt; TEXT-INDENT: 11.75pt; LINE-HEIGHT: 10.55pt; TEXT-ALIGN: justify; mso-line-height-rule: exactly"><SPAN style="mso-ansi-language: DE"><SPAN class=systran_seg id=seg_22>1821 from <SPAN class=systran_nfw_source id=nfw_25>Ambras</SPAN> taken over and possibly identically to inventory 1596,1V, 371:</SPAN> <SPAN class=systran_seg id=seg_23>an instrument of <SPAN class=systran_nfw_source id=nfw_26>glaszwerch</SPAN> (?).</SPAN> <SPAN class=systran_seg id=seg_24>The piece is a rarity;</SPAN> <SPAN class=systran_seg id=seg_25>that in addition, 17.</SPAN> <SPAN class=systran_seg id=seg_26>Century such a thing knew, teaches the No. 55 of the museum <SPAN class=systran_nfw_source id=nfw_27>Settala</SPAN> in Milan:</SPAN> <SPAN class=systran_seg id=seg_27>ex <SPAN class=systran_nfw_source id=nfw_28>harmonicis campanulis contextum clavieymbalum</SPAN>.</SPAN> <SPAN class=systran_seg id=seg_28>By the way such “Glögglen works “were at the beginning 17.</SPAN> <SPAN class=systran_seg id=seg_29>Century at the German yards (for religious wisdom) much likes and went from there also into the organ over (<SPAN class=systran_nfw_source id=nfw_29>Sachs</SPAN>, material encyclopedia 162).</SPAN></SPAN></P></DIV></BODY></HTML></option><option name="user_dict"></option><option name="domain"></option><option name="tg"></option><option name="error"></option><option name="error_desc"></option><option name="sharp_nfwlist">2 Tirol source 3,9
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<p class="MsoNormal" style="BACKGROUND: white; MARGIN: 6.5pt 0.7pt 0pt 34.3pt; TEXT-INDENT: -34.3pt; LINE-HEIGHT: 12.5pt; TEXT-ALIGN: justify; mso-line-height-rule: exactly"><span style="mso-ansi-language: DE"><span class="systran_seg" id="seg_2">A. 131 glass bell piano.</span> <span class="systran_seg" id="seg_3">South German, probably <span style="LETTER-SPACING: 1.15pt"><span class="systran_nfw_source" id="nfw_1">tirolische</span></span> work from the <span style="LETTER-SPACING: 1.55pt">second</span> half 16.</span> <span class="systran_seg" id="seg_4">Century for ore duke <span class="systran_nfw_source" id="nfw_2">Ferdinand</span> made of <span class="systran_nfw_source" id="nfw_3">Tirol</span>.</span> <span class="systran_seg" id="seg_5"><span class="systran_nfw_transfer" id="nfw_4">Holzkasten</span> with take offable cover, which paints whole ones with <span class="systran_nfw_source" id="nfw_5">figürlichen</span> representations and <span class="systran_nfw_source" id="nfw_6">Grottesken</span> in <span class="systran_nfw_transfer" id="nfw_7">Ölfarbe</span> on white reason.</span> <span class="systran_seg" id="seg_6">In front the coat of arms ore duke <span class="systran_nfw_source" id="nfw_8">Ferdinands</span> of <span class="systran_nfw_source" id="nfw_9">Tirol</span> between <span class="systran_nfw_source" id="nfw_10">Minerva</span> and Mars.</span> <span class="systran_seg" id="seg_7">Under the <span class="systran_nfw_source" id="nfw_11">Grottesken</span> also music instruments (bell, barless violin with C-holes, bent zinc, <span class="systran_nfw_source" id="nfw_12">Pommer</span>, lap harp, sounds) are represented beside human and animal figures.</span> <span class="systran_seg" id="seg_8">After <span class="systran_nfw_source" id="nfw_13">Ilgs</span> assumption (in its leader by the <span class="systran_nfw_transfer" id="nfw_14">art kunstindustrielle</span> collection 1891, 190) of the Netherlands painter <span class="systran_nfw_source" id="nfw_15">Dionys</span> of kind of resounding, much-busy in <span class="systran_nfw_source" id="nfw_16">Ambras</span>, which in particular so-called “Spanish the hall “painted.</span> <span class="systran_seg" id="seg_9">On the inside today the bells are missing;</span> <span class="systran_seg" id="seg_10">after the <span class="systran_nfw_source" id="nfw_17">Ambraser</span> inventory of 1821 they were still in reasonable condition, only six were missing at that time.</span> <span class="systran_seg" id="seg_11">Also to v. of sagging time (catalog of the <span class="systran_nfw_source" id="nfw_18">Ambraser</span> collection 1855,</span></span><span class="systran_seg" id="seg_11"> II, <span style="mso-ansi-language: DE">154) they may have been, at least still partial, present.</span></span><span style="mso-ansi-language: DE"> <span class="systran_seg" id="seg_12">The extent becomes on three <span class="systran_nfw_transfer" id="nfw_19">Oktaven</span> and a third including the half tones from <span class="systran_nfw_source" id="nfw_20">untern</span> the bass f to once (?)</span> <span class="systran_seg" id="seg_13">painted <span class="systran_nfw_source" id="nfw_21">a'</span> indicated.</span> <span class="systran_seg" id="seg_14">But this indication is apparently from the still existing keyboard taken, which might have exhibited an extent of 3 ' /2 <span class="systran_nfw_transfer" id="nfw_22">Oktaven</span> (approx.”) in reality also” short <span class="systran_nfw_transfer" id="nfw_23">Oktave</span> “.</span> <span class="systran_seg" id="seg_15">Today the inside is perfectly empty;</span> <span class="systran_seg" id="seg_16">only the play mechanism is still present.</span> <span class="systran_seg" id="seg_17">At the internal septum the bells were fastened in holes;</span> <span class="systran_seg" id="seg_18">the keys snap (still existing) the <span class="systran_nfw_transfer" id="nfw_24">Klöppel</span> with felt strips directly by docking up.</span></span></p>
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<p class="MsoNormal" style="BACKGROUND: white; MARGIN: 2.9pt 0in 0pt 45.35pt"><span style="mso-ansi-language: DE"><span class="systran_seg" id="seg_19">Mass:</span> <span class="systran_seg" id="seg_20">Box 92 ' 5 long, 45*5 broad, 41 and/or 29-5 cm highly.</span> <span class="systran_seg" id="seg_21">Length of the keyboard 58 cm.</span></span></p>
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<p class="MsoNormal" style="BACKGROUND: white; MARGIN: 4.3pt 0in 0pt 34.8pt; TEXT-INDENT: 11.75pt; LINE-HEIGHT: 10.55pt; TEXT-ALIGN: justify; mso-line-height-rule: exactly"><span style="mso-ansi-language: DE"><span class="systran_seg" id="seg_22">1821 from <span class="systran_nfw_source" id="nfw_25">Ambras</span> taken over and possibly identically to inventory 1596,1V, 371:</span> <span class="systran_seg" id="seg_23">an instrument of <span class="systran_nfw_source" id="nfw_26">glaszwerch</span> (?).</span> <span class="systran_seg" id="seg_24">The piece is a rarity;</span> <span class="systran_seg" id="seg_25">that in addition, 17.</span> <span class="systran_seg" id="seg_26">Century such a thing knew, teaches the No. 55 of the museum <span class="systran_nfw_source" id="nfw_27">Settala</span> in Milan:</span> <span class="systran_seg" id="seg_27">ex <span class="systran_nfw_source" id="nfw_28">harmonicis campanulis contextum clavieymbalum</span>.</span> <span class="systran_seg" id="seg_28">By the way such “Glögglen works “were at the beginning 17.</span> <span class="systran_seg" id="seg_29">Century at the German yards (for religious pointing) much likes and went from there also into the organ over (<span class="systran_nfw_source" id="nfw_29">Sachs</span>, material encyclopedia 162).</span></span></p></div></body></html> </option><option name="status">100 </option><option name="warning"></option><option name="xmlflow_step"></option><option name="xmlflow_step_no"></option><option name="format">text/html </option><option name="coptions">FILTER_RTF
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